Yeah, Well. The Dude Abides!

How to start a review of one of my favourite films? The Big Lebowski is almost genre-less. It's mostly comedy, but being the Coen Brothers it's not straightforward comedy; but then it's not the black comedy of True Blood or Fargo. Above all it's a story about an ordinary Dude, who likes bowling, driving around and the occasional acid flash-back, who finds himself in the wrong place at the wrong time. Or rather with the wrong name.

Jeff Bridges is Jeffrey Lebowski aka: The Dude, a lazy man, who becomes confused with The Big Lebowski (David Huddleston). The Big Lebowski is a successful businessman, but who's young wife Bunny (Tara Reid) disappears. Unfortunately Bunny owes money to a Porn film producer, and when his heavies come to collect, they go to the wrong Lebowski. So The Dude gets caught up in a tale of kidnap, ransom, Nihilists, sex, and of course bowling.

Jeff Bridges is always great in my opinion, but rumour has it that the Coen's had Bridges in mind when they were writing the character of The Dude; and he is just perfect. But not just Jeff, most of the cast is superb. John Goodman gives the best performance of his career as The Dude's best friend: Walter Sobchack. This 'Nam veteran is a great character, has arguably some of the best lines in the film, and on occasion drives the story forward as he influences what The Dude thinks.

                                           "Smokey, this isn't Nam, this is bowling. There are rules!"

John Turturro is also there as the creepy but hilarious Jesus; a fellow competitive bowler with a history of being a sex pest! Add to that the usual Coen brothers crowd - Peter Stormare as a Nihilist, Steve Buscemi as Donny (who essentially gets told to "Shut the Fuck up!" by Walter and then dies of a heart attack at the end!) - as well as great smaller parts by Julianne Moore, David Thewlis, and Philip Seymour Hoffman, and the Coen's couldn't really go wrong. Of course I can't forget the photography done by Roger Deakins, though there are not so much of his trademark wide panorama shots, he is saving those for No Country for Old Men and True Grit.

                                     Nobody Fucks with the Jesus!

I love this film, one of my all time favourites. If ever I need cheering up, this film will do it; guaranteed laughter within about 5 minutes! So many good moments:

Jackie Treehorn's "sketch" on his notepad.

The Dude getting Donny's ashes in his beard.

Walter and the Dude's reaction to Jesus saying "Liam and me, we're gonna fuck you up!"

The Dude paying for a 69 cent carton of milk by cheque.

Walter telling Donny: "You're like a child who has wandered into the conversation".

I could go on, but I really shouldn't. All the Dude every wanted was his rug back. It really tied the room together!

True Grit

True Grit is the story of Mattie Ross, whose father was murdered by the outlaw Tom Chaney. Mattie wants revenge for her father's death, and hires notorious U.S. Marshall Rooster Cogburn (known for taking no quarter, and often shooting before thinking) to hunt down Tom Chaney and have him brought to justice. Justice for Mattie is, of course, death. As well as the rather reluctant, grizzly Cogburn, Mattie encounters LaBoeuf, a Marshall from Texas who also wants to bring in Tom Chaney (though LaBeouf knows him by another pseudonym) for killing a Senator. The three set out, and amidst reservation of a girl riding with them, Tom is finally brought to "Justice".

Though Jeff Bridges (Cogburn) is first billing, this is really Hailee Steinfeld's film. As Mattie, Steinfeld is witty, ballsy, never afraid to argue her case, won't take no for an answer, and she gives a very lively and mature performance without ever coming across as being arrogant. A great performance for a 15 year-old. Jeff Bridges is great, as usual, though doesn't stand out in the same way that Hailee does. Jeff is perfect for the grizzly, recalcitrant, slightly maverick US Marshall. I did worry in Bridges' opening scene in court, that I wasn't going to understand a word he said in the film (much like Tommy Lee Jones in No Country for Old Men), but happily that turned out not to be the case; it just took a wee while to get my ear tuned in! Matt Damon is also good, as he usually is, though his role is somewhat smaller and doesn't get the opportunity to shine so much.

This film sees a return of the Coen Brothers to the style that served them so well in No Country for Old Men: great characters, great cast, great screenplay (isn't it always?) and wonderful scenery. Of course one of the reasons for that wonderful scenery is Roger Deakins, the genius cinematographer behind many other visually stunning films (The Assassination of Jesse James by the Coward Robert Ford, No Country for Old Men, Kundun etc etc).

I've never seen the John Wayne version of True Grit (actually I'm not sure I've ever seen a John Wayne film!), but I thoroughly enjoyed this updated version. A great western, more in the mould of Unforgiven than others, but not quite that good. I think I expected it to be more epic, but that is not a criticism, just my over-expectation. A brilliantly shot, superbly acted, humorous revenge story.